“The Rock and Roll Hall of Fame: Where Hard Rock Goes to Die and Metal Gets Melted Down”

Written By Tristan Cardinelli

Step right up, ladies and gentlemen, and behold the spectacle of the Rock and Roll Hall of Fame, where they’ve got more snubs than Glenn Close. Yes, indeed, it’s the place where hard rock goes to die a slow, painful death, and metal? Well, metal gets thrown into the furnace faster than you can say “Sellout!”

Ozzy Osbourne is the only metal act to be nominated this year. While his contributions to the genre are undeniably legendary, his solitary presence only highlights the blatant disregard the Hall has for the vast landscape of metal music. It’s like trying to rock out at a funeral procession—just plain awkward. Metal isn’t some fringe genre relegated to the shadows; it’s a force that has shaped the very fabric of rock and roll. Yet, here we are, with Ozzy as the lone representative, while countless other deserving bands are left hanging. The establishment’s ignorance is a travesty, a mockery, and a slap in the face to every metalhead who has ever dared to dream of seeing their heroes enshrined in the Hall of Fame. Shame on you, Rock and Roll Hall of Fame. Shame on you.

They wouldn’t know a real riff if it smacked them in the face with a double-necked guitar. Oh, sure, they’ve let in a few token headbangers like Black Sabbath and Metallica, but anything beyond that? Forget about it! They’d sooner induct a kazoo quartet than admit that maybe, just maybe, there’s more to rock and roll than bubblegum pop and one man acts using laptops and auto correct.

In the hallowed halls of the Rock and Roll Hall of Fame, there’s a whispering rumor that echoes through the corridors like a distant guitar riff: “Why no love for hard rock and metal?” Indeed, as fans of the genre bang their heads in frustration, it seems the institution has built a metaphorical wall of sound, barricading itself from the thunderous onslaught of amps and power chords. But fear not, dear reader, for we are about to embark on a quest to unravel this enigma, armed with wit, wisdom, and perhaps a touch of devilish humor.

First, let’s address the elephant in the room: the Rock and Roll Hall of Fame seems to have a soft spot for the more melodic and mainstream acts. The gods of metal like Iron Maiden and Motörhead are left waiting in the wings. Could it be that the Hall has a secret penchant for dance beats over distorted guitars? Or perhaps they fear the wrath of metalheads breaking loose and wreaking havoc in their pristine museum? One can only speculate.

Now, let’s not dismiss the Hall’s choices entirely. After all, they have bestowed honors upon legends like Black Sabbath and Led Zeppelin, proving that they do have an appreciation for the heavier side of rock. But why stop there? Where’s the love for the riff-wielding warriors who have kept the flame of rock and roll burning bright through decades of turmoil and trend-chasing?

Some argue that hard rock and metal are too niche and abrasive for the delicate sensibilities of the Hall’s voting committee. But come on, this is rock and roll we’re talking about! If it’s not loud, rebellious, and just a little bit dangerous, then what’s the point? We didn’t sign up for a tea party; we want to feel the earth shake beneath our feet and our eardrums quiver in ecstasy.

Perhaps it’s time for the Hall to loosen its tie, let down its hair, and embrace the raw power of hard rock and metal. Picture it: a gallery dedicated to the shredders and screamers, where the walls reverberate with the echoes of explosive solos and guttural roars. It would be a sight to behold, a pilgrimage site for headbangers from across the globe.

Who votes for cats to get nominated into rock and roll hall of fame anyway?The Rock and Roll Hall of Fame’s nominating committee chooses names for the “Performers” category, which includes singers, vocal groups, bands, and instrumentalists. A committee of rock and roll historians selects the nominees each year.

Fear not, dear metalheads, for we shall not be silenced! We’ll keep banging our heads and flipping the bird to the ‘Hall of Lame’ until they recognize what great rock and metal sounds like. Until that day comes, we’ll just have to content ourselves with spinning our favorite vinyl records and raising a defiant middle finger to the powers that be. After all, rock and roll was never about fitting in or playing by the rules. It’s about resistance, passion, and sticking it to the man, even if he’s just a bourgeois museum curator.

So, here’s to the unsung heroes of hard rock and metal, the bands who refuse to kowtow to the whims of a bunch of elitist snobs in suits. Keep shredding, keep screaming, and who knows? Maybe one day, the Hall of Shame will come crawling back, begging for a taste of that sweet, sweet metal magic. But until then, we’ll be over here, cranking the volume to eleven and laughing our asses off at their clueless incompetence. Rock on, you beautiful misfits, rock on!


Rock ‘n’ Rolls Roots in Metal Evolution

Photo From BS Facebook Page. ‘Never Say Die!’ tour at Lewisham Odeon in London, England, UK 1978

Written By Tristan Cardinelli

The roots of heavy metal run deep. From the rock ‘n’ roll of the 1950’s to 1960s owing a significant debt to the likes of Deep Purple, Led Zeppelin, and notably, Black Sabbath who emerged in the late 1960s and early 1970s. They laid the groundwork for what would become metal. While dubbed the unholy trinity and credited as the first wave of true heavy metal, the common narrative oversimplifies their role, glossing over pre-1969 influences.

Metal’s origins defy a singular moment of creation; it’s not a linear progression from Jimi Hendrix to Black Sabbath. Rather, it’s a complex amalgamation of influences that gradually coalesced, with the New Wave of British Heavy Metal marking a significant milestone. Pinpointing the birth of metal is elusive, as defining what qualifies as such remains subjective. However, by the late ’60s, the groundwork for metal and its myriad subgenres was laid, with bands experimenting with heavy rock, inching closer to its infernal essence. Yet, amidst this evolution, many pioneering bands have faded into obscurity, prompting us to delve into forgotten realms of rock history to unearth metal’s unsung heroes.

In contrast to the dominant reign of rock and roll in the 1950s, the 1960s saw a diverse musical landscape emerge, where jazz, blues, pop, and folk music gained significant followings alongside the continuing growth of rock and roll. This era witnessed a distinction between “hard” rebellious rock and “soft” rock, which often bore resemblance to pop music.

Both genres of rock and metal feature heavy instrumentation, often characterized by distorted guitars, powerful drumming, and prominent basslines.

Both rock from the 60s and metal today place a significant emphasis on memorable guitar riffs, which often serve as the highlight of a song.

Both genres explore a wide range of themes, including but not limited to, rebellion, angst, societal issues, personal struggles, and fantasy.

Just as rock music diversified into various subgenres over the decades (acid rock, psychedelic rock, progressive rock, punk rock, etc.), metal has also branched out into numerous subgenres, including heavy metal, thrash metal, death metal, power metal, black metal, and many more.

Many metal bands today, like their rock predecessors from the 60s and 70’s incorporate theatrical elements into their performances, including elaborate stage setups, costumes, and dramatic lighting effects.

Both rock from the 60s and metal today have had a significant cultural impact, influencing fashion, lifestyle, and even politics.

While there are certainly differences between the two genres, such as intensity, lyrical content, and production techniques, the parallels between rock from the 60s and metal music today are evident, highlighting the enduring influence of rock music on contemporary metal.


Unveiling Ageism in Music: The Climate Towards Legendary Hard Rock and Metal Artists

Written By Tristan Cardinelli

Within the realm of music ageism persists as a contentious issue, with legendary artists often facing disrespect and disdain from younger generations. Despite their groundbreaking contributions and enduring legacies, older bands and artists encounter dismissive attitudes and derogatory remarks, highlighting a troubling trend of age-based discrimination within the music community.

In the fabric of American society, ageism remains a pervasive issue, shaping attitudes, policies, and opportunities. Despite strides in diversity and inclusion, discriminatory biases against older adults persist, hindering their societal contributions and well-being. From workplace discrimination, politics to healthcare disparities, ageism manifests in various forms, prompting calls for systemic change and heightened awareness. This bias not only affects individuals but also deprives society of the wealth of experience and wisdom older people bring to the table.

In the fast-paced world of rock and metal, where trends evolve rapidly, older bands are sometimes unfairly relegated to the sidelines as newer acts gain prominence. The phenomenon of ageism manifests in various ways, from disparaging comments on social media platforms to diminished opportunities for veteran bands to showcase their talents on tour circuits and festival lineups.

One prevailing narrative perpetuated by some younger fans is the notion that older bands are past their prime and no longer relevant in today’s music scene. This dismissive attitude overlooks the enduring impact and influence of these iconic groups, whose pioneering musical terrain continue to resonate with audiences across generations.

Moreover, ageism in music extends beyond mere criticism to outright hostility and disrespect towards older musicians. Instances of ageist rhetoric, such as mocking remarks about appearance or physical abilities, undermine the artistic contributions and achievements of veteran performers, perpetuating harmful stereotypes about aging in the music industry.

The world can be superficial when it comes to bands, artists, and actors. There’s often a focus on outward appearances, age, social media presence, and popularity rather than the actual talent, creativity, and depth of the work they produce. This vapid emphasis on shalliw aspects can overshadow the genuine artistry and substance of musicians and artists, leading to a culture that prioritizes image over substance. However, it’s essential to recognize that not everyone subscribes to this frivolity, and there are still many individuals who value authenticity and talent above all else.

It’s essential to recognize the invaluable contributions of older bands to the evolution and diversification of rock and metal music. These trailblazing artists paved the way for subsequent generations, shaping the musical panorama and cultural identities of the genre.

In response to ageism within the music community, efforts are underway to challenge stereotypes and promote intergenerational dialogue and respect. Initiatives aimed at celebrating the legacies of older bands, such as tribute bands, concerts, documentary films, and retrospective articles, seek to highlight the enduring relevance and significance of their musical contributions.

Fostering greater appreciation and understanding between different generations of music fans is essential in combating ageism and promoting inclusivity within the rock and metal community. By recognizing the interconnectedness of past, present, and future musical movements, society can cultivate a more vibrant and inclusive music culture that celebrates the rich tapestry of artistic expression across generations.

In confronting ageism within the realm of hard rock and metal music, it is imperative to acknowledge and honor the enduring legacies of older bands while fostering a culture of respect, appreciation, and equality for artists of all ages. By embracing diversity and rejecting age-based discrimination, the music community can chart a more harmonious and equitable course towards a brighter future for rock and metal music.

In conclusion, ageism is an issue that will inevitably touch us all as we journey through life and grow older. To foster a better world for ourselves and future generations, it is important that we collectively strive to eradicate ageism. By actively challenging age-based discrimination and promoting integration and respect across all age groups, we can create a society that values the wisdom, experience, and contributions of individuals at every stage of life. Failure to address ageism now will only result in its continued perpetuation, potentially affecting us all as we age. Let us work together to build a more balanced and compassionate world for everyone, regardless of age.


Metal Mania: A Headbangers Quest Through Mosh Pits

Written By Tristan Cardinelli

In the thunderous world of metal, where guitars wail like banshees and drums beat like the pulse of a Viking heart, there exists a ritual that unites fans in a chaotic dance of euphoria – the mosh pit. Picture this: a sea of metal heads converging, bodies colliding in a symphony of controlled chaos, all while a blistering guitar solo shreds through the air. Welcome to the adrenaline-fueled realm of mosh and circle pits. Participating in a circle pit or mosh pit is revered as a rite of passage for devoted metal enthusiasts.

The history of moshing is as wild as the mosh pits themselves. Born in the gritty underground punk scene, this primal dance form evolved into a full-blown phenomenon embraced by metal aficionados worldwide. It evolved as a form of enthusiastic, physical expression to the energetic and rebellious music. While its roots can be traced to punk, the term “mosh” itself is believed to have been coined later, in the early 1980s. While moshing doesn’t have direct parallels to specific historical rituals, it shares similarities with communal dances and physical expressions of unity found in various cultures throughout history. The idea of a collective, uninhibited dance or physical interaction in response to music is not entirely new. Moshing, in a sense, taps into the primal urge for group expression and solidarity. Metal heads, a breed apart, find solace in the unbridled energy that accompanies the cathartic release of headbanging and body slamming.

Now let’s talk about the grand stages that amplify this metal madness. Various metal festivals, especially those with large attendance and dedicated metal communities, often boast massive circle pits. Wacken Open Air in Wacken, Germany, the colossal playground for headbangers. Once a quaint village, now a haven for the heaviest of metal, Wacken transforms into a moshing mecca once a year. It’s the place where thousands of metal heads gather, not just to witness legendary bands but to partake in the communal ecstasy of moshing that reverberates across the festival grounds.

Across the pond, the Download Festival in the UK has become a global metal pilgrimage, with its infectious energy spreading to Australia, Japan, and Spain. In Sweden, the Sweden Rock Festival in Sölvesborg becomes a haven for metal heads, while Hellfest Open Air in Clisson, France, beckons with its magnetic pull for those seeking the ultimate metal experience.

Imagine a horde of metal heads, diverse in their leather-clad armor, congregating like disciples of the riff. Here, in the heart of the mosh pit, camaraderie is forged through shared love for face-melting guitar solos and bone-rattling drum beats. It’s a celebration of sophisticated rebellion where the metal community thrives on unity amidst the chaos.

As bands unleash their sonorous onslaught, the crowd responds in a dance that defies conventional logic. Mosh pits are a kinetic tapestry where strangers become comrades, connected by the pulsating heartbeat of metal. And let’s not forget the legendary circle pits – a synchronized ballet of adrenaline and brotherhood, a circular ritual that transcends language and borders.

Metal heads don’t just attend concerts; they embark on an odyssey, seeking not only the blistering sounds of their favorite bands but also the magnetic pull of kindred spirits. Metal concerts and festivals are not just events; they are gatherings of a global tribe, united by a common passion for the raw power of metal.

So, the next time you witness a mosh pit swirling like a tornado at a metal festival, remember that it’s not just chaos – it’s a celebration. It’s a testament to the unspoken bond that ties metal heads across continents. In this world of riffs and roars, where the only rule is to let loose and embrace the mayhem, the mosh pit stands as a testament to the enduring spirit of metal – loud, proud, and gloriously unhinged.