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BLACK PESTILENCE Kick-Off Western Canadian Tour Dates (AB, SK, MB) w/ Citizen Rage New Album “Chaotic Wisdom” Out Now!

L-R – Daniel Toews – Guitar, Valax – Bass & Vocals, Davey Hellfire – Drums
Photo Credit – Wikked Twist Media

Tour Dates w/ Citizen Rage
Sept 15 – Calgary, AB – Dickens – info
Sept 16 – Red Deer, AB – The Vat – info
Sept 17 – Edmonton, AB – Starlite Room – Temple – info
Sept 18 – Drumheller, AB – Neighbours Pub – info
Sept 19 – Saskatoon, SK – D’Lish Cafe (All Ages) – info
Sept 21 – Prince Albert, SK – The Spice Trail – info
Sept 22 – Brandon, MB – East Side Eatery – info
Sept 23 – Winnipeg, MB – Bulldog Events Centre – info

Canada’s Black Pestilence returns with their ferocious seventh studio album “Chaotic Wisdom”. The band started out as very chaotic black metal with small hints of punk rock and lots of noise. After, it slowly evolved into a punk rock structure with black metal vocals. Now it is much more catchy with shorter song lengths. It’s difficult to pinpoint exactly the sound that Black Pestilence is now. There are more electronic samples, simple verse/chorus song structures, and much less traditional black metal elements other than occasional blast beats and tremolo picking. Vocalist/bassist Valax comments on the album:

“I knew that following up “Hail the Flesh” would be a tall order. “Chaotic Wisdom” is a Satanic d-beat. The music is formulated around typical punk rock song structures while being projected through the playing style of black metal. Greater emphasis was placed on the samples used on this album in the form of additional percussion and cacophonous electronics. Many of the song lyrics touch base on various themes related to Satanic philosophy, societal stratification, and general debauchery.”

“Chaotic Wisdom” contains seven Satanic d-beat anthems. It is the result of three years of writing and recording and is the pinnacle of the Black Pestilence catalog. Similar to previous releases, this album is fast, infectious, and straight to the point. However, experimentation with dissonant tones, industrial electronics, and auxiliary percussion was emphasized to a greater degree on this album. This is not a stylistic change from Black Pestilence, but represents an elevation to the next level of chaotic noise.

The album was mixed and mastered by Sacha Laskow and the album artwork by Juha Vuorma. It is recommended for all black metal fans especially those who enjoy Impaled Nazarene, Acidez, and Midnight.

Released on September 8, 2023, “Chaotic Wisdom” is available digitally plus CD and cassette at https://blackpestilence.bandcamp.com.

Spotify – https://sptfy.com/OVIe

Music Video – The Devil’s Connection – https://youtu.be/bhEBrCdP2ao

Music Video – Mortal Rift – https://youtu.be/GLPwkpERt4A

album artwork by Juha Vuorma

Track Listing:
1. Mortal Rift (3:29)
2. A Life of Evil (3:06)
3. The Devil’s Connection (3:29)
4. Chaos and Carnality (3:18)
5. Aspect of Darkness (3:06)
6. Infernal Might (feat. Mark Russell) (2:35)
7. Animus (5:50)
Total Length: 24:53

BLACK PESTILENCE ONLINE:

Facebook.com/blackpestilenceband | Instagram.com/blackpestilence | Youtube.com/blackpestilence | Spotify

““Crushing” is indeed the first word that comes to mind when hearing the massive mauling tones of the riffs, like rock being excavated by some humongous machine. That machine drives forward with snapping punk beats, laced with a sinister yet glorious guitar melody. The music itself also becomes more vicious as the riffs start rapidly jabbing and then seething. But the music also channels darker and more despairing moods, before those two solos kick up the pulse and transform the music into an experience of evil ecstasy. The thing turns out to be a very catchy beast too.” – The Devil’s Connection (single) – No Clean Singing

“I seriously can’t get enough of this. It’s big, nasty, and as rough as a badger’s arse. The black energy it creates is like a massive middle finger to the world and it says – you don’t like me, you don’t like my music or all the things I stand for – go and fuck yourself! This is real and this is as honest as it gets. Fantastic – more, please! 9/10” – My Global Mind”weave in some catchy hooks and melody especially on “Chaos of Carnality” and “The Devil’s Connection,” songs I can easily imagine crowds shouting along to.” – The Metal Crypt

“These Canadian metallers have returned with their seventh full-length offering, executing a unique blend of chaotic black metal and punk rock with electronic samples and catchy, shorter song lengths. This album, the result of three years of work, presents seven satanic-esque anthems that push the boundaries of their signature sound. While retaining their fast and infectious style, Chaotic Wisdom, also experiments with dissonant tones, industrial electronics, and auxiliary percussion, taking Black Pestilence’s chaotic noise to the next level. The album, mixed and mastered by Sacha Laskow, features artwork by Juha Vuorma, making it a must-listen for black metal enthusiasts, particularly fans of Impaled Nazarene, Acidez, and Midnight.” – Metal Insider

“While speed or thrash metal to the core, there’s a bit of punk about Black Pestilence. The band dances the fine line between thrash and punk with a destructive ease. That thrash punk blend can be heard in “Infernal Might” featuring Mark Russell and closing track “Animus”. And before one knows it, Chaotic Wisdom is over. It clocks in at a mere twenty-four minutes. Get distracted and you might not hear the entire album and that would be quite a shame. As fast as it is, Chaotic Wisdom is quick, melodic, and a great listen. MUST LISTEN TRACKS: “The Devil’s Connection”, “Aspect of Darkness”, “Infernal Might”, “Animus”” – Amplify The Noise

“Black Pestilence has its own approach to Black Metal, blending a raw, Punk-influenced base with strange futuristic elements. Chaotic Wisdom is very short, but provides a good overview of the band’s rage.” – Acta Infernalis

“Maintaining its Mad Max side, primitive and low-brow, Black Pestilence offers us a significantly more modern and exalted version of its furious mixture bathed in d-beat, Toxic Holocaust and Venom. Many new followers should easily join their cult.” – Eklektik Rock

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Music News

Black ‘n’ Roll band GRAVE WITH A VIEW launch new single WOUNDS

BLACK ‘N’ ROLL BAND GRAVE WITH A VIEW LAUNCH NEW SINGLE ‘WOUNDS’ GENRE: BLACK METAL, BLACK ‘N’ ROLL OUT SEPTEMBER 8th
FFO: GRÁ, SHINING, CRAFT, DEN SAAKALDTE, SARKOM

‘WOUNDS’ is the new single from Finnish black metallers GRAVE WITH A VIEW. Just months after the release of the previous single, ‘MARROW,’ GRAVE WITH A VIEW continues to explore the bowels of the worst humanity has to offer with a raw, powerful song infused with galloping rock and roll rhythm prowess.

GRAVE WITH A VIEW was spawned in 2018, with their agenda being to preach the bitter truth of the meaningless of life and humanity in the face of the True Death. Their first official release crawled out of the abyss as a self-titled EP in November of 2022 and they have wasted no time in continuing their journey of archaic misery.

‘WOUNDS’, further explores the band’s penchant for vomiting out groove based blackened structures and focused but hammering rhythms, all wrapped up in a frozen, bleak atmosphere that speaks of our foreboding doom. The idea of the song is a nihilistic exploration of Scandinavian culture, including blood inheritance of Christian guilt that will lead to a self-destructive path.

Band Links

YouTubeFacebookBandcampSpotify

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Reviews

Metal Lair Reviews Marduk’s New Album Memento Mori

MARDUK is:
Daniel Rostén (Vocals)
Morgan Hakansson (Guitar)
Devo Andersson (Bass)
Simon Schilling (Drums)

In the eerie stillness of a moonless night, a chilling revelation began to creep over those gathered by the old, decrepit necropolis. The air grew heavy with a sense of foreboding doom. The words of an ancient, cryptic song echoed through the tombstones, like a sinister incantation. Shadows danced ominously, and the world seemed to shift. The realization struck like a dagger to the heart: Life resembled not a ticking timepiece but an ever-depleting sandglass. The atmosphere grew tense, as if Death himself were watching, playing a macabre game with the living. A blade drawn across the throat, a grotesque test of fate. Life slipped away through a sinister portal. In this cursed place, all certainty crumbled. Hopeless and helpless, they gazed upon the haunting expanse, as if staring into the abyss itself. The soil beneath them whispered of impending darkness, while the spectral flames revealed a truth long buried that no one can escape

The band proudly presents their latest single “Shovel Beats Sceptre,” off MARDUK’s 15th studio album, set to be unleashed on September 1st via Century Media Records offering a spellbinding glimpse into their forthcoming album.

Renowned icons of the pure black metal realm, Sweden’s Marduk have consistently traversed the tumultuous path of their genre, standing as both doyen’s and figures occasionally shrouded in controversy since their inception in 1990. Their fifteenth studio offering arrives as the audacious “Memento Mori.”

Marduk’s enduring forte has always been their unrefined, unwavering potency and unbridled wrath, the very foundation of their musical identity. Beyond the breakneck tempos and venomous guitar leads lies a belligerent, warlike spirit that barely abides by containment; their inherent violence is an insatiable element of their chaos.

Mortuus, known by his given name Daniel Rostén, remains the sole constant member since 1990, asserting that this new album both reflects their roots and takes bold strides forward. In essence, Memento Mori embodies unadulterated Marduk, an unrelenting onslaught of black metal that pushes the boundaries of extremity in every conceivable manner. Tracks like “Blood of the Funeral,” “Shovel Beats Sceptre,” and “Red Tree of Blood” epitomize the quintessential Marduk experience. While it may occasionally evoke a sense of familiarity, it must never be underestimated or taken for granted. The chaos within is meticulously structured, propelling the entire album with a sense of purpose and visceral energy that defines both the band and their craft. Time signatures shift, and a relentless sense of urgency propels tempos against a relentless onslaught of guitars and Mortuus’ ever-present antagonistic vocals.

The mechanical procession of the closing track, “As We Are,” heralds the resurgence of their industrial edge, a facet always welcomed by their fanbase. Coldly calculated, unapologetically confrontational, and dripping with hostile intent, “Memento Mori” is quintessential Marduk—an unyielding, merciless, and formidable force. It represents a menacing, thunderous return!


The renowned Swedish black metal band MARDUK is back with a new release entitled Memento Mori. Today, MARDUK release the video for their latest single “Shovel Beats Sceptre”.

  • Ltd. Deluxe Gatefold Ultra Clear-Black Splatter Vinyl With Alternative Cover Artwork (Incl. LP-Booklet, Art-Print & Poster) (Limited to 2,000 copies / All Outlets)
  • Red Gatefold Vinyl (Limited to 300 copies / Available at Century Media Shop)
  • White Gatefold Vinyl (Limited to 500 copies / Available via Century Media Shop)
  • Golden Gatefold Vinyl
    (Limited to 500 copies / Available at Levykauppa ÄX, Bengans, Supreme Chaos)
  • Silver Gatefold Vinyl (Limited to 500 copies / Available at EMP & Nuclear Blast)
  • Black Gatefold Vinyl (All Outlets)
  • CD Mediabook (All Outlets)

Commenting on the album, MARDUK frontman Daniel Rostén shares:
“Memento Mori is, all at once, a bold leap forward, a calculated sidestep, and a wistful backward glance. Meaning, we have broken new ground without forgetting our legacy or the journey that brought us to this point.”

Pre-Order Memento Mori Here:

Commenting on the album, MARDUK frontman Daniel Rostén shares:
“Memento Mori is, all at once, a bold leap forward, a calculated sidestep, and a wistful backward glance. Meaning, we have broken new ground without forgetting our legacy or the journey that brought us to this point.”

MARDUK online:
www.MARDUK.nu
www.instagram.com/MARDUKofficial
www.facebook.com/MARDUKofficial

Categories
Tours

PROFANATICA On US Tour Now!

PROFANATICA Spreading Blasphemy Across U.S.

PROFANATICA just ushered in their sixth album with an unholy leviathan of a new single. Tomorrow, they’re taking up the cross on their first-ever full-length tour of the U.S. They’ll be snaking across the country with Canadian black metal band Panzerfaust, with a headlining set at Heavy Hell IV.

Tour dates
07/13 Cleveland, OH @ No Class [Tickets]
07/14 Columbus, OH @ Ace of Cups [Tickets]
07/15 Chicago, IL @ Reggies [Tickets]
07/16 Minneapolis, MN @ Turf Club [Tickets]
07/18 Omaha, NE @ Reverb Lounge [Tickets]
07/19 Salt Lake City, UT @ Aces High Saloon [Tickets]
07/21 Seattle, WA @ Substation [Tickets]
07/22 Portland, OR @ Bossanova Ballroom [Tickets]
07/24 Sacramento, CA @ Cafe Colonial [Tickets]
07/25 San Francisco, CA @ DNA Lounge [Tickets]
07/26 San Diego, CA @ Soda Bar [Tickets]
07/27 Los Angeles, CA @ Regent Theater [Tickets]
07/28 Phoenix, AZ @ Pub Rock [Tickets]
07/29 El Paso, TX @ The Dungeon [Tickets]
07/31 Houston, TX @ White Oak Music Hall [Tickets]
08/01 Austin, TX @ Come and Take It Live [Tickets]
08/02 Dallas, TX @ Trees [Tickets]
08/03 St. Louis, MO @ Red Flag [Tickets]
08/04 Nashville, TN @ Hop Springs [Tickets]
08/05 Atlanta, GA @ The Loft [Tickets]
08/06 Raleigh, NC @ Pour House [Tickets]
08/12 Indianapolis, IN @ Heavy Hell IV [Tickets]

Crux Simplex’ is out on September 22, 2023 via Season of Mist. Pre-save the album HERE. Pre-order it HERE.

Album artwork: Abomination Hammer

Tracklist:
01. Condemned to Unholy Death (4:38)
02. Take Up the Cross (3:01)
03. The First Fall (3:24)
04. Meeting of a Whore (3:02)
05. Compelled by Romans (4:47)
06. Wipe the Fucking Face of Jesus (2:20)
07. The Second Fall (2:40)
08. Cunts of Jerusalem (3:35)
09. The Third Fall (4:18)
10. Division of Robes (6:51)

Total run-time: 00:36:76

Style: Black Metal
FFO: Sarcofago, Possessed, Necrovore, NME, Poison Idea

PROFANATICA are at the vanguard of the first wave of American black metal. Founded and led by infamous master of black perversion Paul Ledney (drums/vocals), they have purveyed primeval blasphemy for nigh on thirty-three years.

Ledney formed the band from the ashes of the first INCANTATION lineup when he split and took with him all of the members sans John McEntee. That early trio of ex-INCANTATION members reeled off three ground-breaking demos of some of the most extreme and blasphemic metal of its time in rapid succession. The band flyers that permeated the tape-trading circuit were no less shocking and featured the trio bloody and naked and in the throes of what was most certainly a primeval summoning of some kind. In short order, they had inked a deal with the fledgling Osmose Productions for what became one of that labels first releases (Osmose release #5); a legendary split with Colombia’s MASACRE.

Something so volatile could only last briefly, and after another brief recording session the band collapsed under the weight of its own extremity. but the recordings made in this two year window went on to see dozens of reissues in the coming decades, in a testament to how formidable and formative they are to the black metal scene worldwide.

After almost fifteen years spent with his equally polarizing solo project HAVOHEJ, Ledney reignited the flames of Profanatica in 2006. Reemerging with a new deal from Hells Headbangers, Ledney and his new band released ‘The Enemy of Virtue’, a collection of that vaunted early material, and a new full-length, ‘Profanatitas de Domonatia’. A triumphant return, ‘Profanatitas de Domonatia’ picked up right where these Kings of US Black Metal left off, delivering a savage stream of chainsaw guitars and relentless battery upon which they desecrated everything sacred.

This set-in motion another frenetic burst of work for Profanatica. The next decade saw them unleash four new full-length albums of blasphemous perversions, sacrilegious incantations, and furious black metal. In addition, the band issued six mini-albums and EP’s, a full DVD of early footage, and began touring internationally in Europe and in Central and South America. For the first time Profanatica were appearing near or at the top of the bill at festivals like MDF, Messe Des Mortes, Hells Headbash, Prague Death Mass (Czech Republic), Chaos Descends (Germany), Black Sun (Spain), Tyrant Fest (France), SWR Fest (Portugal) and many more.

In fall 2018, Profanatica joined forces with Season of Mist and undertook their biggest tour to date supporting WATAIN and ROTTING CHRIST across Europe. And a year later, the trio vomited forth a most vulgar strain of black metal ejaculate with their SoM debut album ‘Rotting Incarnation of God’.

The band embarked on an extensive twelve-country European headline tour in the album’s wake. Shortly after returning home that winter, the world ground to a halt in 2020. Save a live-streaming concert production for the legendary Rock al Parque in conjunction with BATUSHKA, little was heard from Profanatica.

That is until spring 2023, when Profanatica emerged from their den of iniquity on a European headline tour to promote a new album. ‘Crux Simplex’ is a ten-track offensive of sin and sacrilege, a nasty affront that bastardizes the first 10 stations of the cross. As per their legacy, Profanatica deals in bestial, first-wave black metal barbarity, and their eighth album unveils ungodly levels of bile and blasphemy.

Recorded at: Dead Lamb Studios

Mastered by: Arthur Rizk

Recording lineup
 Mayhemic Slaughter of the Heavens (drums/vocals)
– Destroyer of Holy Hymen (guitar/bass)

Touring lineup
– Mayhemic Slaughter of the Heavens (drums/vocals)
– Destroyer of Holy Hymen (guitar)
– The True Perversion of the Heavenly Father (bass)

Pre-save: https://orcd.co/cruxsimplexpresave

Pre-order: https://shop.season-of-mist.com/list/profanatica-crux-simplex

Available formats
Vinyl (Black)
Vinyl (Blue)
CD Digipack
Digital download

PROFANATICA ONLINE:

Categories
Reviews

London-Based Five Piece Blackened Hardcore Outfit CALLIGRAM Has Released Position|Momentum Via Prosthetic Records

Photo Credit: Andy Ford

CALLIGRAM is:
Matteo Rizzardo – Vocals, Ardo Cotones – Drums / Vocals, Bruno Cambiaghi – Guitar, Tim Desbos – Guitar, Smittens – bass

I find myself reviewing yet another artist from Prosthetic Records’ arsenal of extraordinary minstrels. Their roster is brimming with luminaries. The musical offerings provided are unmatched and serve as a delectable feast for fans of metal.

Introducing Calligrams Latest Opus: “Position|Momentum”

Calligram unleashed their mordacious new album, “Position|Momentum,” presenting an axiom that finds solace and joyous moments within the depths of darkness. A departure from their debut, “The Eye is The First Circle.” This new record draws inspiration from a diverse range of musical influences.

The album’s Latin-titled compositions, such as “Sur Dolore” (meaning ‘In Pain’) and “Frantumi In Itinere” (translated as ‘Fragments on The Road’) eschew oddity in favor of a relentless infernal intensity. Matteo Rizzardo’s throat-ripping vocals, delivered in his native tongue, are the driving force behind these inexorable arrangements. While atmospheric noise, D-beat punk, and grindcore find their way into the mix, courtesy of seasoned producer Russ Russell (known for his work with Napalm death and At The Gates), the true essence of the album lies in its unyielding hellfire.

As “Position|Momentum” unfolds, it reveals its multifaceted nature. “Per Jamie” offers a cursed respite, that whips the listener from swashbuckling gallops to funeral dirges and sheer black metal bludgeoning. The mournful trumpet acts as a blinding thread, weaving through the shifting soundscape. “ Ex-Sistere” seamlessly blends these elements into a furious whirlwind that threatens to tear flesh from bone, an unstoppable force capable of overpowering all in its path.

The album’s second half truly opens up, inviting listeners to immerses themselves fully in Calligram’s dark aural tapestry. “Ostranenie” spans an ambitious seven minutes, guiding the audience through a tumultuous journey that transitions from relentless speed to sorrowful solemnity, punctuated by a melancholy trumpet. The closing track “Seminario Dieci” deliberately paces itself, interweaving heavy ascendancy and offering a sense of closure, leaving you torn between adoration and bewilderment.

Calligram’s “Position|Momentum” dictate a visceral antiphon. Its caustic chalice overflow’s with a sensory concoction that defies categorization. With every sip, the listener is challenged by the raw intensity and unapologetic tenebrosity that permeates the album. This is a record that will either repel or captivate, leaving you either lost in its labyrinthine corridors or kneeling at the altar of Calligram’s twisted brilliance.


The multi-national quintet, decamped to The Parlour Studios in Kettering to record Position | Momentum with Russ Russell (NAPALM DEATH, DIMMU BORGIR, AT THE GATES) during the summer of 2022. The follow up to 2020’s The Eye Is The First Circle doesn’t ease up on intensity; if anything, giving the chaos a little more room to breathe has shaped CALLIGRAM into something even more formidable than before.

Music is often seen as medicine; a balm to soothe what ails you. With no intention to use Position | Momentum as a crutch, CALLIGRAM has crafted the opposite – a caustic celebration of pain, death and chaos.

Position | Momentum is out now via Prosthetic Records.

Position | Momentum was recorded by Russ Russell in July 2022, at The Parlour Studio, and mastered by Grant Berry. Artwork is by Deborah Sheedy

Track Listing:
Sul Dolore
Frantumi In Itinere
Eschilo
Tebe
Per Jamie
Ostranenie
Ex-Sistere
Seminario Dieci

CALLIGRAM ONLINE: