Tickets On Sale Now! Plus Upcoming Album Art Revealed
Faroe Islands-based folk metal collective TÝR will return to North American stages next Spring. The Battle Ballads headlining tour, named in honor of their upcoming new full-length of the same name, begins March 28th in Baltimore, Maryland and makes its way through over two dozen cities, coming to a close on April 26th in Greensboro, North Carolina. Support will be provided by Trollfest, Æther Realm, and The Dread Crew Of Oddwood. The tour marks TÝR‘s first North American run since 2019.
Comments the band, “It is with great joy that we announce our return to the US and Canada. It’s been too long, and we have missed the people, the cities, and the vast landscapes dearly. It warms our heathen hearts to think that we will soon see all your familiar faces again, and probably, hopefully, a few people we have not seen before. We will bring our lighthearted neighbors, Trollfest from Norway, with us, as well as your metal compatriots, Æther Realm, and The Dread Crew Of Oddwood. See you soon!“
Tickets go on sale this Friday, November 24th, at 12:00pm EST/9:00am PST. See all confirmed dates below.
More info on TÝR‘s Battle Balladsalbum, set for release in the Spring of 2024, will be unveiled in the new year. In the meantime, view the cover art by Gyula Havancsak.
TÝR w/ Trollfest, Æther Realm, The Dread Crew Of Oddwood: 3/28/2024 Baltimore Soundstage – Baltimore, MD 3/29/2024 Gramercy Theater – New York, NY 3/30/2024 Middle East Downstairs – Boston, MA 3/31/2024 La Source De La Martinière – Quebec City, QC 4/01/2024 Studio TD – Montreal, QC 4/02/2024 Brass Monkey – Ottawa, ON 4/03/2024 Horseshoe Tavern – Toronto, ON 4/04/2024 The Sanctuary – Detroit, MI 4/05/2024 Reggies – Chicago, IL 4/06/2024 Skyway Theater – Minneapolis, MN 4/07/2024 Park Theater – Winnipeg. MB 4/08/2024 The Exchange – Regina, SK 4/09/2024 Starlite Room – Edmonton, AB 4/10/2024 Dickens – Calgary, AB 4/12/2024 The Rickshaw – Vancouver, BC 4/13/2024 El Corazon – Seattle, WA 4/14/2024 Bossanova Ballroom – Portland, OR 4/15/2024 Cornerstone – Berkeley, CA 4/16/2024 1720 – Los Angeles, CA 4/17/2024 Brick By Brick – San Diego, CA 4/18/2024 Nile Theater – Mesa, AZ 4/19/2024 TBC 4/20/2024 Come And Take It Live – Austin, TX 4/21/2024 The Granada – Dallas, TX 4/22/2024 White Oak Music Hall – Houston, TX 4/24/2024 Conduit – Orlando, FL 4/25/2024 The Masquerade (Hell) – Atlanta, GA 4/26/2024 Hangar 1819 – Greensboro, NC
Last March, TÝR released A Night At The Nordic House (With The Symphony Orchestra Of The Faroe Islands), a special event recorded in February of 2020. “Working with the Symphony Orchestra was without a doubt one of the highlights of our careers,” noted vocalist Heri Joensen. “The feeling of sheer sophisticated power behind us was extraordinarily uplifting. We were awed by how well the songs worked in a symphonic setting. We are very excited to finally release a live [double] DVD, CD and LP, and even with the incredible new artwork by Gyula Havancsák, that excellently captures the epic atmosphere of the event.”
Release Lineup: King Diamond – vocals, guitars Andy LaRocque – guitars Michael Denner – guitars Timi Hansen – bass Mikkey Dee – drums
Christmas time is here again! King Diamond‘s No Presents for Christmaswas originally released in 1985 and now Metal Blade Records is reissuing this 2-track classic on vinyl, just in time for Black Friday. No Presents for Christmasfeatures new cover art and is available worldwide in two new vinyl colors. Side 1 features the title track, “No Presents for Christmas” and Side 2 features “Charon” (from “Fatal Portrait”). In honor of the release, the band has also worked with their US merch company to offer a lithograph signed by King Diamondhimself.
Here’s what King had to say: “We are very happy to make No Presents for Christmas available on vinyl again, and with a brand new cover! Livia worked on the glass mansion on the cover – it’s a mansion she designed that I just loved and said we must use this for something! The cover came out exactly how we wanted it to, and it looks like something you would find in the Christmas albums aisle alongside Frank Sinatra. It has the Christmas feeling, but with something dark and sinister when you examine it more closely. I look like a ghost – the ghost of trying to destroy Christmas! This is the first King Diamond song that was ever released and was originally performed live back in December of 1985, it’s very special to us and we hope you enjoy No Presents for Christmas as much as we do!“
In other King Diamond news, the band recently released a music video for the single “Masquerade of Madness” with David Brodsky and Allison Woest of MyGoodEye Visuals, which can be viewed HERE!
About the band: KING DIAMOND is quite possibly the most recognizable and prolific personality ever in heavy metal. Revered by icons as big as Metallica and Pantera to inspiring new upstarts like Goatwhore; KING DIAMOND, the man and the band, have left an indelible mark on the history, and now again, the future of heavy metal.
In August of 2008, KING DIAMOND joined Metallica on stage at Ozzfest in Dallas to perform the Mercyful Fate medley made famous from the Garage, Inc. album. Additionally, KING DIAMOND was featured alongside Motorhead‘s Lemmy Kilmister as a playable character in Guitar Hero: Metallica in 2009.
By 2012, KING DIAMOND was prepared to return to the stage for a select number of shows. The band’s triumphant return to the stage were the highlights of both the Hellfest and Sweden Rock festivals in France and Sweden. Fans at these festivals were treated to the largest and most involved stage production in the band’s storied history. Horror concepts from multiple albums were used in the décor; fans can rest-assured that this show will only get larger and more impressive at future performances.
KING DIAMOND continued to hit the stage from 2013 to 2018 including performances at Rock Hard Festival (DE), Copenhell (DK), Graspop (BE), Metal Days (SI), Bloodstock Open Air (UK), Loudpark (JP), Wacken Open Air (DE), a 2014 North American tour with Jess and the Ancient Ones, Fun Fun Fun Fest (US), toured as a part of the 2015 Mayhem Festival in the summer (US), a fall 2015 North American tour with Exodus as special guests, Sweden Rock fest (SE), Hellfest (FR),and Psycho Las Vegas (US).
In 2019, after the release of the KING DIAMOND‘S first new single in 12 years “Masquerade of Madness“, the band hit the road with a series of live shows in Europe including stops at Summer Breeze festival (DE), Graspop (BE), Hellfest (FR), Rock Fest (ES), and with Uncle Acid & the Deadbeats and Idle Hands as special guests for 19 dates across North America.
KING DIAMOND‘s 30+ year musical career is one of the most storied in history of heavy metal, but the tale is not yet over. The most recent release, 2007′s Grammy nominated album Give Me Your Soul…Please, stands as one of the most critically-acclaimed albums in an already iconic discography. Future albums will feature entirely new horror stories, concepts, haunting orchestrations, and the band’s signature brand of heavy metal from the mind of KING DIAMOND and the talented group of musicians: Andy LaRocque – Guitar, Mike Wead – Guitar, Pontus Egberg – Bass, Matt Thompson – Drums. Many more albums, tours, and ventures lay ahead.
After nearly two decades, the wait is over! East Bay thrash metal legends SADUS have returned with a massively anticipated new album, The Shadow Inside, out today from Nuclear Blast Records. It’s been 17 long years since the release of their last full-length, Out For Blood (2006), and the band sounds just as viciously vital as the day they first lit up audiences almost 40 years ago!
Recorded with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios, The Shadow Inside is a merciless masterclass of thrash with blistering tracks like ‘Scorched And Burnt,’ ‘It’s The Sickness‘ and ‘Ride The Knife,” that further cement the band’s metal legacy.
Today, SADUS aims attention towards another standout track, ‘Anarchy,’ which is accompanied by the brutal video below.
Commenting on the song, lead vocalist/guitarist Darren Travis states:
“In a world of confusion, people will rise to Anarchy.. there’s no turning back..!“
Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH), The Shadow Inside, is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos. It’s the record fans have been waiting desperately for and one of the year’s most crucial metal albums.
Commenting on the record’s impending release, Darren Travis says:
“I am giddy with excitement for this album to be unleashed upon the world. With the help of the entire Nuclear Blast team, we will bestow a hugely anticipated release of The Shadow Inside!!
THANK YOU for your interest in our little band for all these years. I hope you will find the same release of excitement that WE DO!! The love of METAL is the only reason for SADUS!! Thank you ALL for the undying SUPPORT!!!! Fucking SADUS!!“
The Shadow Inside Track List:
1. First Blood 2. Scorched And Burnt 3. It’s The Sickness 4. Ride The Knife 5. Anarchy 6. The Devil In Me 7. Pain 8. No Peace 9. New Beginnings 10. The Shadow Inside
It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.
Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one’s actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.
A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. “Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.
‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.
The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.
All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.
As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.
Photo Credit: Xavier Metral CELESTE is: Johan Girardeau – Vocals & Bass Guillaume Rieth – Guitar Antoine Royer – Drums Sébastien Ducotte – Guitar
French extreme metal avant-gardists CELESTE have released a video for the song ‘Plisse les yeux jusqu’au sang‘ from their new EP, Epilogue(s), which is out today through Nuclear Blast Records.
The EP features three exclusive bonus tracks from their most recent album, Assassine(s) (2022). Epilogue(s) beautifully concludes the transformative journey CELESTEembarked upon two years ago. Pushing the boundaries of heavy music once again, CELESTEdelivers a sonic tapestry of stunning diversity, immersing listeners in a realm where ethereal melodies meet raw power. Prepare to be captivated as the band’s artistic vision reaches its pinnacle, leaving an indelible mark on your musical soul.
And now embark on a spellbinding cinematic journey with the vdeo for ‘Plisse les yeux jusqu’au sang‘, a song which sees CELESTEcombine hauntingly melodic textures with probably their heaviest riffs to date.
Having played more than 500 shows around the world, including appearances at several prestigious extreme music festivals, theaters and venues (Hellfest, Roskilde, Copenhell, SummerBreeze, Brutal Assault, Roadburn, Psycho Las Vegas…), with one EP and six albums under their belt, CELESTE have succeeded in creating their own musical atmosphere and are today considered to be one of the most important bands of the “French Avant-Garde Black-Metal” scene.
For 15 years, this French metal band has crafted a hybrid sound that defies easy categorization but remains unmistakable. By skillfully blending elements of black metal, post-metal, and hardcore, CELESTE has created a singular and immersive musical experience, characterized by its violence, oppressiveness, and darkness.
While CELESTE is renowned for their musical prowess, their live shows are equally famous for their apocalyptic and suffocating experiences. Immersed in complete darkness and thick smoke, the audience relies on strobe flashes and the red beams of the musicians’ headlamps for guidance.
“This band has become one of the defining groups of their generation. Cult favorites for a notoriously picky group of fans, it’s easy to see why CELESTE are viewed as some of the best out there right now” METAL INJECTIONRevisit CELESTE‘s most recent album, ASSASSINE(S): https://celeste.bfan.link/assassine-s
Check out the previously released music videos from ASSASSINE(S), here:
Season of Mist is partnering with the musicians of Savage Lands. Through this partnership, we’ll bang our heads together with members of Megadeth, Sepultura, Obituary and other legends of metal to support forests in Costa Rica. This is the first time a record label will be partnering & releasing the music of a non-profit organization.
*Listening to Savage Lands is already donating directly to this forest preservation effort.*
More music is coming from Savage Lands next year. In the meantime, please share the news about “The Last Howl”, along with information about how the metal community can support this cause.
After seeing first-hand how deforestation threatens Costa Rica’s ecosystem, two angry metalheads started their own non-profit organization. Named after their joint passion for savage heavy metal and wildlife preservation, SAVAGE LANDS was founded in 2022 by Megadeth drummer Dirk Verbeuren and musician-turned-activist Sylvain Demercastel, who’s a resident of Costa Rico.
“Hearing the chainsaw on a daily basis, because of a recent real estate fever destroying Costa Rica’s ecosystem, we thought it was time to start a new type of action”, says Sylvain. “We are reaching out to this great active community of metalheads.”
Today, SAVAGE LANDS are debuting their first single. “The Last Howl” features Andres Kisser (Sepultura) and John Tardy (Obituary). 100% of the song’s royalties will go toward protecting threatened lands from deforestation.
Listening is already donating directly to the forest preservation effort. An extra step can always be taken by directly donating to the cause through: https://savagelands.org/donation/
Formed in 1981, Slayer assaulted the world with a new hybrid of metal and punk – heavier, faster and darker than the rest – and set a new standard, defining not only a genre, but an attitude. Throughout Slayer‘s history, the band never faltered in unleashing their extreme and focused aural assault, and repudiating temptations, Slayer always chose to remain crushing and brutal, steadfastly refusing to cater to the mainstream.
Now celebrating its 40th anniversary, Show No Mercy is the debut studio album by American thrash metal masters, Slayer. The album was initially released on December 3, 1983, by Metal Blade Records, who, in honor of Show No Mercy‘s 40th anniversary, will be unleashing two unique pieces of vinyl for fans: A limited edition “Blood” filled liquid vinyl – limited to 250 worldwide, and the Show No Mercy (40th Anniversary Edition) vinyl set that includes a Gold Black Dust LP mastered for vinyl from the original master tapes by Patrick W. Engel at TEMPLE OF DISHARMONY, a slipmat, poster, show flyers, signing card, and an LP booklet featuring the story of Show No Mercy, written by J. Bennett.
Show No Mercy (40th Anniversary Edition) • Slipcase with gold hot-foil embossing • Gold Black Dust LP mastered for vinyl from the original master tapes by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2023 • 12″ LP booklet • Slipmat • Poster • Show flyers • Signing card
Show No Mercy “Blood” Filled Liquid Vinyl: • Blood filled liquid vinyl mastered for vinyl from the original master tapes by Patrick W. Engel at TEMPLE OF DISHARMONY in May 2023 • Limited to 250 copies worldwide!
Tracklisting: SIDE A 01. Evil Has No Boundaries 02. The Antichrist 03. Die by the Sword 04. Fight Till Death 05. Metal Storm / Face the Slayer
SIDE B 06. Black Magic 07. Tormentor 08. The Final Command 09. Crionics 10. Show No Mercy
Album Lineup: Tom Araya: vocals, bass Kerry King: guitars Jeff Hanneman: guitars Dave Lomabardo: drums
Whitechapel has announced a new live album, Live In The Valley, which will be released digitally on January 26, 2024 across all digital platforms. The album contains songs from the albums “Kin” and “The Valley” and was recorded live at the band’s 7th annual Christmas Benefit Show on December 22, 2022 at The Mill & Mine in their hometown of Knoxville, TN.
Here’s what guitarist Alex Wade had to say about Live In The Valley: “We decided to record the audio from our 7th annual hometown Christmas benefit show in 2022 where we played a mixed set from our albums ‘The Valley’ and ‘Kin’. We thought this would be a good way to close the chapter on these albums before we start recording our 9th album. The audio was recorded, engineered, mixed and mastered by our very own Zach Householder and we are excited about the way that it turned out. Along with the audio we shot 2 live videos to accompany the live album release.”
Check out a live video for the track “Lost Boy” off the upcoming live album that was created by Marshall Wieczorek HERE.
Track Listing: 01. When a Demon Defiles a Witch 02. Forgiveness Is Weakness 03. Brimstone 04. Hickory Creek 05. Black Bear 06. Doom Woods 07. I Will Find You 08. A Bloodsoaked Symphony 09. Anticure 10. Lost Boy 11. Orphan 12. This Is Exile 13. The Saw Is the Law
*Fans purchasing a digital copy of the album will receive a download of the single “Lost Boy” at time of purchase
Whitechapel is currently preparing to hit the road for their last tour of the year, taking to the stage with Meshuggah and In Flames for four weeks including a pair of headline shows. The band will then head home where they will headline their 8th annual Christmas Benefit Show at The Mill & The Mine, marking the band’s final show of 2023. Catch the band live at one of the dates below!
WHITECHAPEL Tour with MESHUGGAH & IN FLAMES 11-21 San Diego, CA – SOMA 11-22 Wheatland, CA – Hard Rock Live Sacramento 11-24 Seattle, WA – Paramount Theatre 11-25 Vancouver, BC – Doug Mitchell Thunderbird Sports Centre 11-27 Edmonton, AB – Midway Music Hall 11-28 Calgary, AB – Grey Eagle Event Centre 11-30 Winnipeg, MB – Burton Cummings Theatre 12-01 Minneapolis, MN – The Fillmore Minneapolis presented by Affinity Plus 12-02 Madison, WI – The Sylvee 12-03 Grand Rapids, MI – GLC Live at 20 Monroe 12-05 Gary, IN – The Hard Rock Live Northern Indiana 12-06 Cincinnati, OH – The Andrew J Brady Music Center 12-07 Buffalo, NY – Buffalo Iron Works *Headline show w/ special guests (tickets HERE) 12-08 Huntington, NY – The Paramount 12-09 Boston, MA – MGM Music Hall at Fenway 12-10 Montclair, NJ – The Wellmont Theater 12-12 Wallingford, CT – Toyota Oakdale Theater 12-13 Syracuse, NY – The Song & Dance *Headline show w/ A Fitting Revenge & Quantifier (tickets HERE) 12-14 Bethlehem, PA – Wind Creek Event Center 12-15 Toronto, ON – HISTORY 12-16 Laval, QC – Place Bell **w/ Meshuggah, In Flames, and Voivod Tour over 12-22 Knoxville, TN – Holiday Show at The Mill & The Mine (tickets HERE)
About the band: At this stage in the game, the name Whitechapel commands respect. Already sitting on one of the most enviable catalogs in contemporary metal, in 2019 they dropped The Valley, showcasing a confident evolution in their sound and standing as a true landmark release that sets a new standard for the genre. “To me, it was like the stars aligning for us to create our almost perfect record in regard to songwriting, vocal performance, the mix and master, and the artwork,” says guitarist Alex Wade. “We like to look at our albums as chapters of our career, and that is one chapter I will never forget. I think it really solidified that we can embrace a new sound, and if we execute it properly, then the fanbase is going to support and enjoy it.” In 2021, they return with that album’s successor, the mighty Kin, which is an even more dynamic and diverse collection, further advancing the band’s sound into new territory without losing sight of what brought them to this point. “I feel with every album, we learn what worked best on the last one and try to utilize that in our writing. Early in the writing, there was some discussion of the album being like ‘The Valley’ part II, not literally called that, but in how the songs sound and flow through it. It’s very much a storytelling type record like ‘The Valley’ was,” adds vocalist Phil Bozeman, “Musically, we just want to create what we vibe with at the given moment. We write music with how we feel and not what is expected of us, while lyrically the idea of continuing from the story of ‘The Valley’ was always the goal.”
“For a generation of fans, Whitechapel are the most legitimately brutal band of the deathcore movement” – Kerrang!
“Their music attacks from the first track, and they draw you in, commanding your attention with their performance and presence. This is how I’ve always felt about Whitechapel” – Metal Nation
“Whitechapel has certainly become, in my opinion, one of the more unique metal bands still making music today” – Metal Injection
ALESTORM are: Christopher Bowes – vocals, keytar Gareth Murdock – bass Mate Bodor – guitar Peter Alcorn – drums Elliot Vernon – keyboard
ALESTORM Announces North American Headline Tour for Spring 2024!
New EP, Voyage of the Dead Marauder, Announced – Stay Tuned for More Details!
Infamous metal pirates ALESTORM are set to return with another batch of mischief! Today, ALESTORM announces their “Tour Of The Dead Marauder” North American headline tour, kicking off in Cincinnati, OH on March 19, 2024. The month-long tour will feature support from Elvenking and Glyph, with venues to be announced soon. Tickets go on sale this Friday, November 17 at 10:00 AM local time – get yours soon before they are gone!
But that’s not all! Later that same week, they will release their new EP, entitled Voyage of the Dead Marauder, out March 22, 2024 via Napalm Records! The upcoming EP arrives as the successor to ALESTORM‘s epic seventh studio album, Seventh Run of a Seventh Rum, which peaked at #7 on the German Album charts and #5 on both the US Current Hard Music and Top New Artist Albums charts. Once more, ALESTORMcollaborated with producer Lasse Lammert (LSD-Studios), who produced, recorded, mixed and mastered the new EP and is known for his work with fellow genre greats Gloryhammer and Wind Rose.
The pirates are currently supporting Saltatio Mortis on their tour of Europe. Make sure to grab your tickets while they last and stay tuned for the first new Voyage of the Dead Marauder singles and pre-sale news!
Chris Bowes comments: “I am reliably informed that Canada and the USA are countries, so it only seems fitting that we play a few shows there. We’ll even play some new songs, as an inevitable consequence of releasing a new EP. We hope you enjoy it; it’ll be very awkward for all parties involved if you don’t. See you there!”
Voyage of the Dead Marauder Tracklisting: 1. Voyage of the Dead Marauder 2. Uzbekistan 3. The Last Saskatchewan Pirate 4. Sea Shanty 2 5. Cock
ALESTORM Live 2023 supporting Saltatio Mortis 15.11.23 CR – Zagreb / Boogaloo 17.11.23 DE – Geiselwind / Eventhalle 18.11.23 DE – München / Zenith 19.11.23 AT – Vienna / Gasometer 21.11.23 DK – Aarhus / Voxhall 22.11.23 DE – Hamburg / Sporthalle 23.11.23 CZ – Prague / Roxy 24.11.23 DE – Ludwigsburg / MHP Arena 25.11.23 DE – Bochum / Ruhrcongress 26.11.23 BE – Liege / OM 28.11.23 FR – Lille / Splendid 29.11.23 FR – Meth / BAM 01.12.23 DE – Hannover / Swiss Life Hall 02.12.23 CH – Zurich / X-Tra 03.12.23 NL – Eindhoven / Effenaar
ALESTORM Live 2024 “Tour Of The Dead Marauder” w/ Elvenking & Glyph 19.03.24 US – Cincinnati, OH 20.03.24 US – Grand Rapids, MI 22.03.24 CA – Toronto, ON 23.03.24 CA – Montreal, QC 24.03.24 US – New Haven, CT 26.03.24 US – Pittsburgh, PA 27.03.24 US – Detroit, MI 29.03.24 US – Milwaukee, WI 30.03.24 US – Omaha, NE 02.04.24 CA – Winnipeg, MB 03.04.24 CA – Saskatoon, SK 05.04.24 CA – Edmonton, AB 06.04.24 CA – Calgary, AB 08.04.24 CA – Vancouver, BC 09.04.23 US – Spokane, WA 10.04.24 US – Boise, ID 12.04.24 US – Sacramento, CA 13.04.24 US – Santa Ana, CA 15.04.24 US – Tucson, AZ 16.04.24 US – Albuquerque, NM 18.04.24 US – Oklahoma City, OK 19.04.24 US – St. Louis, MO 20.04.24 US – Indianapolis, IN 21.04.24 US – Nashville, TN
CATTLE DECAPITATION: Travis Ryan – vocals Josh Elmore – lead guitar Belisario Dimuzio – rhythm guitar Olivier Pinard – bass David McGraw – drums
Long-running San Diego, California-based deathgrind summoners CATTLE DECAPITATION will kick off their Terrasitic Infestation North American headlining tour Friday November 10th in Ventura, California. The journey will make its way through over two-dozen cities, coming to a close on December 16th on the band’s home turf of San Diego, California. Support will be provided by Immolation, Sanguisugabogg, and Castrator. Tickets are on sale now at https://tix.soundrink.com/tours/cattle-decapitation. See all confirmed dates below.
CATTLE DECAPITATION w/ Immolation, Sanguisugabogg, Castrator: 11/10/2023 Ventura Theater – Ventura, CA 11/11/2023 The Nile Theater – Mesa, AZ 11/12/2023 Rock House Bar & Grill – El Paso, TX 11/14/2023 Diamond Ballroom – Oklahoma City, OK 11/15/2023 Granada Theater – Dallas, TX 11/16/2023 Vibes Event Center – San Antonio, TX 11/18/2023 Chelsea’s Live – Baton Rouge, LA 11/20/2023 The Masquerade – Atlanta, GA * No Immolation 11/21/2023 The Orpheum – Tampa, FL 11/22/2023 The Abbey – Orlando, FL 11/24/2023 Hanger 1819 – Greensboro, NC 11/25/2023 Peabody’s Nightclub – Virginia Beach, VA 11/27/2023 Baltimore Soundstage – Baltimore, MD 11/28/2023 Brooklyn Bowl – Philadelphia, PA 11/29/2023 Brighton Music Hall – Boston, MA 11/30/2023 Warsaw – Brooklyn, NY 12/01/2023 Beanfield Theatre – Montreal, QC 12/02/2023 Opera House – Toronto, ON 12/04/2023 St Andrews Hall – Detroit, MI 12/05/2023 House Of Blues – Chicago, IL 12/06/2023 Fine Line – Minneapolis, MN 12/08/2023 Gothic Theatre – Englewood, CO 12/09/2023 Urban Lounge – Salt Lake City, UT 12/10/2023 The Shredder – Boise, ID 12/11/2023 The Crocodile – Seattle, WA 12/12/2023 Hawthorne Theatre – Portland, OR 12/14/2023 Goldfield Trading Post – Roseville, CA 12/15/2023 The Belasco – Los Angeles, CA 12/16/2023 Observatory North Park – San Diego, CA
CATTLE DECAPITATION released their tenth studio album, Terrasite, on May 12th via Metal Blade Records.
Though many bands have tried, no one articulates the real apocalypse humanity is facing as vividly and succinctly as CATTLE DECAPITATION. With 2019’s Death Atlas, they reached the apex of this, perhaps leading some to believe they had no place left to go beyond such an achievement, but alas, they return with Terrasite, which is as bold a statement as they have ever made.
“After a record like Death Atlas, you have to make a turn,” notes guitarist Josh Elmore. “Everything about that album – the concept, artwork, music, etc, was a final statement. The only way to move forward is rebirth. In approaching the newest record, it was not only necessary to keep the musical trajectory the band has been aiming towards since the beginning, but also to further explore the ambient/textural elements that were part of Death Atlas.”
As such, Terrasite pushes their sound further into more epic and varied territory, and in the hands of vocalist Travis Ryan the governing concept takes a new and disturbing direction. “I wanted to do the 180° opposite of Death Atlas. I already had the concept idea from years back and since Death Atlas was so dark and brooding, I wanted a completely opposite effect – I wanted this to take place in the daylight. I’ve always found daytime horror to be really unsettling so I wanted to make sure what was going on on the cover took place in the light of day, which also finds its place within the lyrics.”
The title is a word invented by Ryan that brings together “Terra-” meaning “earth” and “-site” derived from the Greek word “-sitos” which means “food.” “The combination of the two means ‘earth-eater.’ It’s a metaphor for humanity’s role in the destruction of the planet and is a play-on-words of the very fitting word ‘parasite.'”
This is vividly brought to life in the artwork by longtime collaborator Wes Benscoter (Vader, Kreator, Bloodbath, Hypocrisy). “We see the nymph stage of this human/cockroach hybrid that is more of a fully grown being that has just molted from its ootheca stage, startled, confused, frightened but also pissed off.
The band once again worked with producer Dave Otero (Cephalic Carnage, Allegaeon), who knows the members’ individual styles and how to coax the best out of them, bringing in Tony Parker of Midnight Odyssey to handle piano and synths.
Terrasite is available as a jewel case CD, digitally, and on vinyl in the following color variants:
– “The Fleshy Architect” Orange/Peach Marble vinyl (US exclusive) – “Hadean Eon” Orange Blend vinyl (US exclusive) – “Gomorrah’s Flora” Green Blend vinyl (US exclusive) – “Winds Of Solastalgia” Purple Blend vinyl (US exclusive) – 180g Black vinyl (EU exclusive) – “Pupa To A Nymph” LP1: Black Ash Smoke vinyl – LP2: Transp. Skin Marble vinyl (EU exclusive – limited to 700 copies) – “Irradiated Alight” Sunset Marble vinyl (EU exclusive – limited to 500 copies) – “Living Death Spirituality” White w/ Purple Splatter vinyl (EMP exclusive – limited to 300 copies) – “Terrasitic Jizzplosion” Clear w/ Gold Splatter vinyl (EU exclusive – limited to 300 copies) – “Life Finds A Way” Clear w/ Green + Purple Splatter vinyl (EU exclusive – limited to 300 copies)
“…a document that encapsulates a specific moment, an artifact that is etched with disdain and steeped in the loss of friends… it speaks to the depth and musical appetite that has been growing in the band’s ranks for over a decade. Terrasite is the next important step for a consistently excellent band…” – Decibel Magazine
“Since their early 2000s classics like To Serve Man and Humanure, the group have only gotten more extreme and unique doling out late-career highlights like 2012’s Monolith Of Inhumanity and this year’s Terrasite. Congrats, boys.” – Revolver’s Top Six Death Metal Band’s Right Now
“…another absolutely stellar release from these guys with lyrics and themes that represent the apex of today’s extreme music.” – Metal Injection
“…a powerful and important album. It is a must-listen for fans of extreme metal, and it is also a great album for anyone who cares about the future of our planet.” – MetalSucks
From total annihilation to rebirth, “Terrasite” takes you on a journey from anthropogenic ecocide, (Death Atlas) to a new beginning, (Terrasite). What sets Terrasite apart from the bands other works is the emphasis on melodic atmospheric sound while perduring incontrovertible savagery.Metal Lair
“They’ve evolved from a grind band into something even more maniacal with this album; a true and brilliantly executed hybrid of heavy death metal, brutal grind and lyrical terror.” – Lambgoat
“…a phenomenal album that’s well worth the time of extreme metal fans who want to hear a band perpetually push itself.” – Blabbermouth
“…a brutal and uncompromising display of technical deathgrind. The band have been steadily pushing the boundaries of the genre for over 25 years, and this album is no exception.” – Invisible Oranges
“The collective musicians in CATTLE DECAPITATIONshow their chemistry in full power on Terrasite. The cadence and enunciation by vocalist Travis Ryan along with the varied rhythms from drummer David McGraw are especially fascinating to me as a longtime drummer that also tries to sing occasionally… Anyone who still tries to diminish or discount death metal as a genre with defined musical parameters can quickly have that mindset destroyed with only a few minutes of listening to this record.” – No Echo
“CATTLE DECAPITATION willingly wallow in the worst offerings of humanity (and whatever follows us). It makes their music sicker, slimier, and weaponized for pushing back against the same injustices and ills we propagate. As such, Terrasite is a brutal exercise in knowing your enemy – it just so happens the enemy is yourself.” – Everything Is Noise
“The band’s prior work gazed upon the futility of mankind’s ability to change its nature; Terrasite boldly suggests something else entirely: the horror of existence itself. Album Of The Year contender, without a doubt.” – The Razor’s Edge
“Terrasite improves upon Death Atlas in a multitude of ways giving us aggressively emotional melodeathgrind forcing upon us their message of anti-consumption and anti-violence in the most violently cathartic of ways! The best record since The Anthropocene Extinction, maybe their best yet!” – Metal Wani
“Terrasite… confirms their status as unshakeable gods of the scene… a phenomenal death/grind album in its own right. Not one moment of tedium or insincerity, just fifty minutes of excitement and the highest quality musicianship.” – Metal Observer
“Terrasite seethes with unbridled fury and abject hostility. If you like your deathgrind/goregrind/grindcore to be one-dimensional, atonal noise where pigs die squealing in their caves for no longer than a minute at a time then you’re in the wrong place. However, if you want growth, exploration, and mutation then look no further. Terrasite is a fucking monster.” – Ghost Cult
DOMINATION CAMPAIGN is: Jason Peppiatt – Vocals, bass, guitar Joe Haley – Drums, recording, mixing, mastering
Tasmania, Australia old school death metal duo DOMINATION CAMPAIGNhas today announced their sophomore album, A Storm of Steel, which will be released via Prosthetic Records on January 12. Comprised of Psycroptic pair Jason Peppiatt and Joe Haley, DOMINATION CAMPAIGN has also shared the lead single and accompanying music video, The Iron Beast.
Speaking on the album announcement, Jason Peppiatt (vocals, bass, guitar) comments: “We’ve been sitting on this album for a while now so it’s great to finally be able to announce A Storm of Steel – which will be kicking off our 2024 with a bang. I’ve been obsessed with old school death metal since the time when it was new enough to simply be called ‘death metal’.”
Speaking on The Iron Beast, Peppiatt shares: “This album has a touch more melody than the debut and that can be heard in the first single, The Iron Beast, which is one of the faster paced tracks on the album. The track tells the grim (fictional) tale of an army marching on a European town, and sets the tone for the rest of the album.”
Having enlisted Psycroptic bandmate Joe Haley for 2021 debut, Onward To Glory, the winning formula was retained when work began on A Storm of Steel. Jason laid down vocals, bass and guitar tracks, whilst Joe took care of drums, recording, mixing and mastering. Whilst they’ve not strayed too far from the core death metal sensibilities of their first ride out, A Storm of Steel is a more melodic affair featuring guitar harmonies (and even a guitar solo), whilst simultaneously being heavier overall.
Lyrically the album is inspired by tales of war, but unlike other bombastic war-themed albums out there, DOMINATION CAMPAIGN don’t seek to glorify battle. Instead they depict the atrocities experienced – both on a grand scale and the more personal, intimate terror of conflict. The artwork by Peppiatt continues this theme, bringing a visual element to the dirty, gritty reality of life in the trenches.
Uniting old school death metal values with modern production, DOMINATION CAMPAIGN have crafted an eight-track heavy metal odyssey that follows in the footsteps of the likes of Bolt Thrower, Sinister and Deicide. With more than two decades of experience under their belts, DOMINATION CAMPAIGN have refined the art of bringing fetid tales to life in the great tradition of death metal.
A Storm of Steel tracklist: 1. Time to Die 2. The Iron Beast 3. Winds of Death 4. D-Day 5. Storm the Lines 6. Pit of Disease 7. 141 Days of Terror 8. Death Landing
Bleed From Within are: Scott Kennedy – Vocals Craig Gowans – Lead Guitar Steven Jones – Rhythm Guitar & Vocals David Provan – Bass Ali Richardson – Drums
Bleed From Within have had an extraordinary year. They’ve just stepped off of the Lamb Of God Headbangers Boat cruise, following on from a colossal summer run which took in both headline shows, performances with Heaven Shall Burn and festival appearances at the likes of Brutal Assault (Czech Republic), Summer Breeze (Germany) and Alcatraz(Belgium), finishing up with a 13-date tour supporting Trivium across the UK. This was all on top of a hugely successful debut American tour earlier this year with August Burns Red and The Devil Wears Prada.
To celebrate this exceptional year, Bleed From Within have released their ShrineDeluxe Edition today, alongside a new single titled ‘Overthrone‘, which is accompanied by a lyric video.
Their stunning latest studio album Shrinewasreleased in the summer 2022, marking the band’s most groundbreaking work to date and staking out Bleed From Within‘s bold intent. The Scottish 5-piece claiming their position as the most exciting prospect in modern metal.
Steven Jones from the bandstated, ”Upon releasing ‘Shrine’ in June 2022, it’s safe to say that none of us expected what the following months would bring. It’s been a hell of a year, with our most rigorous touring schedule yet putting us in places we’ve dreamed of since we started the band. This era of Bleed From Within is something we have worked so hard toward, and in this moment we are extremely grateful to all those who have made it possible. To all of our fans who fill the rooms and sing the words, to the team behind the scenes who keep the cogs moving on tour, in the studio, and everywhere between, and to the creative minds that help us bring our music to life – thank you. 17 months since its original release, we are so proud to now present this limited and deluxe edition of ‘Shrine’, featuring all of the songs that were recorded during the sessions. Here’s to the months and years ahead!”
01. I Am Damnation 02. Sovereign 03. Levitate 04. Flesh And Stone 05. Invisible Enemy 06. Skye 07. Stand Down 08. Death Defined 09. Shapeshifter 10. Temple Of Lunacy 11. Killing Time 12. Paradise 13. The Will To Resist *Bonus Track* 14. Overthrone *Bonus Track* 15. Chemical Carnival *Bonus Track*
Bleed From Within have already announced some 2024 summer festival shows, which are:
Shrine was recorded at Real World Studios and at Bleed From Within‘s HQ, UK. The record was self-produced. Mixing was handled by Adam ‘Nolly’ Getgood and Sebastian Sendon, with drum engineering handled by Adam ‘Nolly’ Getgood, guitar, bass and vocal engineering by Steven Jones, additional production by Jamie Finch, string composition by Simon Dobson and Parallax Orchestra, strings engineered by Peter Miles at Middle Farm Studios, and additional backing vocals by Hannah Boulton on the tracks ‘Flesh & Stone‘ and ‘Paradise‘.TheShrine artwork was created by David Provan, with layout by Simon Atkinson.
Bleed From Within have been to hell and back, but they are no strangers to enduring hardship. When a global pandemic threatened to shut down their plans, the Glaswegians collectively raised five middle fingers and pressed on. It’s no surprise that this unstoppable riff machine continues to crush forward at such a frantic pace – there’s no putting the breaks on the heaviest band to ever emerge from Scotland.
The band’s reputation as one of the most formidable forces in modern metal has earned them tour slots with Megadeth, Lamb Of God, Testament and Heaven Shall Burn, to name just a few. 2021 saw them dominate the UK live scene; selling out their largest ever headline tour in November, capturing hearts on Bullet For My Valentine‘s arena tour, slay a Lamb Of Godlivestream support slot, alongside (literally) blazing performances at Download Festival andBloodstock Festival.
Shrine has taken the most graft to put together of any record in their catalog, challenging their self-perception on both personal and technical levels – the culmination of two years hard work that embodies their artistic might. Armed with the learnings of evolving their sound over the last decade without ever losing sight of their DIY roots, this is Bleed From Within at their very best. There’s no denying the band’s inevitable next steps are world domination, with Shrinea turning point moment.
Set to release their first full-length “As The Bridges Collapses” at the end of November on Rockshots Records, NOPROPHECY is offering up their next slab of music with the single “Broken”, an intense and aggressive song, fueled with harsh vocals that spit and exorcise from start till its end.
Established in 2013 by Alveria Sykes, Singapore’s NOPROPHECY has emerged as a formidable force in modern metal. The band’s inception was fueled by a collective passion for music and a desire to unite their musical abilities in a band setting. Each member looked up to revered musicians, aspiring to bring their own unique touch to the musical landscape.
During its formative years, NOPROPHECYsaw a rotation of musicians, but by the release of “After Life Comes EP” in 2016, the band had solidified its lineup, setting the stage for what would become a promising musical journey.
Describing their sound in five words – Aggressive, Melodic, Intense, Groove, and Dynamic – NOPROPHECY has consistently pushed boundaries, showcasing their signature blend of fierce intensity and melodic artistry.
NOPROPHECY anticipates that its upcoming album As The Bridge Collapses” will captivate fans with its versatility. Promising a multifaceted experience, the album will delve into the band’s signature melodic style while exploring various stylistic shifts across metal genres.
“There are so many variations the band incorporates into its songwriting with this album and we believe there is something for everyone. We feel an album should always have a flow from start to finish and that is what we’re trying to achieve with this album. We definitely played around with the choruses more this time, keeping in mind to engage more crowd participation for this album cycle. We want to give the fans a refreshing experience, yet something that is relatable on a personal level.” adds the band
NOPROPHECY invites fans and metal enthusiasts alike to join them on this exciting and diverse musical venture. With their dedication to delivering a powerful live experience, NOPROPHECY incorporates backing tracks during performances to elevate the audience’s engagement. Sykes, now the full-time vocalist, further enriches their live shows through enhanced interaction and increased crowd participation.
Recommended for fans of Avenged Sevenfold, Bullet For My Valentine, and As I Lay Dying, “As The Bridge Collapses” is due out on November 24th, 2023 from Rockshots Records.